Spinning vignettes that reveal hidden worlds

An SOS from Planet Earth
An imaginary, interstellar broadcast from species of the Earth. Voices include coyotes, crickets, frogs, seals, whales and humans. Part of the Wave Farm Radiophonic Quilt .
Underwater Sonic

A musical composition featuring a montage of sounds recorded underwater and on the shores of the Hudson River Estuary by the Hudson Ecological Acoustics Research.
Song of a Stone-age Fish
A song composed about the life of a codfish that lived in the Baltic Sea during the Earth’s Neolithic period. Composed using chemical data collected from the fish’s earstone and sonified. Song and video produced by Lizlo in collaboration with ecological researchers from Project Breathless who study the impacts of low oxygen dead zones on fish.
String Theory
A sonic trip through the physics of sound that dives into the depths of quantum mechanics, music and cosmology. This piece was produced for SALT Beyond Stories.
Shortnose Sturgeon

Bioacoustician Rebecca Cohen describes sounds attributed to shortnose sturgeon in the Hudson River Estuary, mixed with HEAR project underwater recordings.
Song of a 21st Century Fish
A song composed about the life of a codfish that lived in the Baltic Sea during the first decade of the 21st Century. Composed using chemical data collected from the fish’s earstone and sonified. Song and video produced by Lizlo in collaboration with Project Breathless researchers who study the impacts of low oxygen dead zones on fish.

A composition forCities and Memory’s Polar Sounds project that features the sounds of a Ross seal recorded in the Antarctic by the Alfred Wegener Institute for Polar and Marine Research.
Sounds Fishy

Maija Niemisto, a researcher who studies underwater acoustics in the Hudson River Estuary, shares observations about sounds made by fish. Featuring sounds from the HEAR project.
Survivor’s Shanty

A rousing sea shanty about a fightin’ fish that persists despite the risks to their survival. Produced as the Project Breathless theme song.